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On April 3, 2008, it was reported that Nicole Kidman and Judi Dench had been in talks to star within the movie. Selection also reported that Marshall was courting Catherine Zeta-Jones–with whom he had labored in Chicago (2002)–for the role of Guido's muse, and Sophia Loren for the role of Guido's mother. Guido's younger self assembles the solid of his complete life on the scaffolding behind him ("Finale") as Luisa arrives and watches from the shadows, pleased that Guido has returned to his former self. Sometime later, Guido is making that very movie, directing actors representing younger versions of himself and Luisa, living in a small house and deeply in love.
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- When Guido confesses to Lilli his dilemma, she urges him to use his film to entertain, inspired by the Folies Bergère where she "learnt her artwork" ("Folies Bergère").
- The film was co-produced by Marshall's own manufacturing firm, Lucamar Productions.
Cast
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For Ali Plumb of Empire journal, "Though slightly marred by a clunky construction and a lack of truly catchy tunes, Nine's wall-to-wall first-rate performances from its stellar solid (especially Cotillard) add a contact of sophistication." He also said, "I did really feel considerably compromised engaged on it. Every Thing on the display wasn't fully my good model of it." In a 2018 interview with The New Yorker, Rob Marshall revealed that he believes the Weinstein Firm did not market the movie properly as it was a trickier sell than Chicago and should have started in festivals and smaller venues. The former featured two of the characters watching one of the film's trailers on the Web on a YouTube-esque web site, and there were subtle setting alterations performed for the latter, including film posters on the walls of varied public places.citation needed
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Alistair Harkness of The Scotsman known as 9 "the worst movie of the year" for "its absolute awfulness, for its mind-numbing shallowness, for its smug and self-satisfied forged, and for its capability to wreck Daniel Day-Lewis's otherwise unblemished report." Todd McCarthy of Selection referred to as the movie "a savvy piece of musical filmmaking. Refined, horny and stylishly decked out, Rob Marshall’s disciplined, tightly centered movie impresses and amuses as it extravagantly renders the artistic disaster of a middle-aged Italian director, circa 1965". The album featured sixteen songs, primarily based on the musical, along with three new songs created for the film by authentic Broadway composer Maury Yeston.